For two of the acts that played at the Glasshouse on a sold-out Saturday night, their individual performances were a testament to their success in 2012 with each taking a different route. The Los Angeles-based disco duo Poolside released their debut album Pacific Standard Time to rave reviews while local DJs have dubbed them the ideal band to listen to during the summer and have even described their sound as â€œdaytime disco.â€ While for George Lewis Jr. (a.k.a. Twin Shadow), his recently released sophomore album Confess, which has also garnered positive reviews, delved deeper into his emotional psyche while furthering his retro 80s synth-pop sound. But if there is something in common that both bands managed to do on Saturday night, itâ€™s that they turned the Glasshouse into one big dance party.
Comprised of Jeff Paradise and Filip Nikolic, Poolside came out on stage ready to blare their disco tunes to the crowd. However, their keyboardist Michael Gold was M.I.A. and left everyone wondering. Nikolic was calling out â€œMichael!â€ and even got the crowd to yell out his name in unison. After a couple of minutes, Gold finally emerged from the back and the band finally got started with opener and new single â€œOnly Everything.â€ Its electronic handclaps, retro synths, and funky bass immediately got everyone moving. Mid-tempo number â€œNext to Youâ€ followed up and got everyone into a steady groove with its thick bass-line driven melody. Obviously, lyrics arenâ€™t the foundation of their songs as they are repetitive and minimal, acting as vocal melodies to the songs. They slowed down the pace a bit with the appropriately titled â€œSlow Down,â€ where the shimmering synths were enough to provide a type of warmth associated with the summer season, while Nikolic got slap-happy with his bass riffs. The highlight of the night came on the piano-driven â€œDo You Believeâ€ where Twin Shadowâ€™s George Lewis and keyboardist Wynne Bennett came on stage to join Poolside for a brief dance session. They ended the night with the percussive big-beat number â€œTake Me Home.â€ With the way people were dancing with their significant other, Iâ€™m sure they couldnâ€™t wait to be taken home.
But they would have to patiently wait another hour as Twin Shadow took the stage for their headlining set. Lewis isnâ€™t a person to hide his interests as his motorcycle was brought on stage as an added aesthetic piece and show off his personality. And he isnâ€™t afraid to show his emotions either based on the last two albums. Joined by a full backing band, the set opened with â€œBeg For the Night,â€ which immediately showed the distinction between the song performed live and on record as Lewis delivered a brief guitar solo to end the song. They cranked up the pace for â€œFive Secondsâ€ that drew a lot of cheers for being the single off the new album. At this point, most of the crowd was jumping up and down, never letting up the energy they had. Again, the 80s-esque guitar riffs were more prominent and led the song, making it sound as if they belong in a stadium.
Whatâ€™s really impressive about Lewis is not only does he exude a high level of confidence and poise in his demeanor, but also the way he interacts with the crowd and how he feeds off their energy. In order to get the crowd even more energized, he asked them to cheer as loud as they could after the count of four. After measuring how low they got after a few tries, they jumped right into the romantically-themed â€œAt My Heelsâ€ where Lewisâ€™ vocals soared on the lines â€œthere is no key to my gate/but you can still come around/lean your ladder against my window/Iâ€™ll come down.â€ â€œGolden Lightâ€ followed with its explosive chorus, while the R&B-tinged â€œPatientâ€ shined with Bennettâ€™s glowing synth-pop melodies. A pair of songs from the debut – â€œTyrant Destroyedâ€ and â€œWhen Weâ€™re Dancingâ€ – were faster than their recorded versions, giving a more hard rock feel to them that the crowd continued to move along to.
â€œCastles in the Snowâ€ and â€œForgetâ€ ended Twin Shadows set, where on the former, the crowd was treated to an extended version of the song that featured a blistering guitar solo, while on the latter, Lewis took his guitar and walked through the crowd, delivering his guitar licks.
In speaking with a friend at the show, she called Lewis a rock star. Usually the term has a negative connotation attached to it, but not when it comes to Twin Shadow. He has the stage presence, confidence, look, and charm of a rock star, but definitely not the pretentious attitude or arrogance. Twin Shadow is definitely a band to see if youâ€™re in the mood for vintage rock sounds while wearing your best pair of dancing shoes.
Beg For the Night
At My Heels
When Weâ€™re Dancing
Run My Heart
Castles in the Snow
I Donâ€™t Care