Kemado Records | The Audio Perv
Posts Tagged ‘Kemado Records’
05 Nov
2010

True Widow, the Dallas-based co-ed trio known for creating hauntingly beautiful heavy music, have signed to New York-based Kemado Records with an eye on a March 2011 release.

The band, comprised of singer/guitar player DH Phillips,singer/bass player Nicole Estill and drummer Slim Texas, have described their music as “stonegaze” while numerous outlets have offered their take on True Widow’s slowcore-meets-rock hybrid. AOL Spinner described the band’s music as “morphine-induced melodies dripping with haunting, heartfelt lyrics…,” Punk News said True Widow does “to Autolux what Black Sabbath did to metal” and hometown weekly, The Dallas Observer, described the band’s self-titled 2008 debut as simply “incredible.” Retail supporters, Aquarius Records, enthusiastically shared these words with their customers, “Every song here is practically perfect, and each one segues seamlessly into the next, the sort of record where you don’t just remember the melody or the lyrics, but which songs comes next, and how long the pause between songs is, the sound just so hypnotic and mesmerizing, a sort of lyseric doom pop, a druggy post rock, but the thing is, none of that really explains how addictive these songs seem to be. Literally, from the moment we first heard this record, we have not been able to stop listening to it.”

The band’s next live outing is Nov. 19 at Club Dada in Dallas.

True Widow joins The Sword, Saviours and Xasthur on Kemado’s burgeoning roster of heavy music.

http://www.myspace.com/truewidow
http://truewidow.blogspot.com
http://www.kemado.com

14 May
2010


One of the foundations of the metal revival of the past ten years, Austin TX’s The Sword have released two flawless slabs of vintage heaviness on Kemado Records, toured the world with Metallica, and were honored to grace the past three editions of Guitar Hero. This summer, the band casts its gaze to the stars for Warp Riders, their third full-length and their most ambitious effort to date. Hitting stores on August 24th via Kemado Records, it is the band’s first concept album and is fittingly grand in scope both lyrically and in terms of musical craftsmanship.

This also marks the first release where the group has worked with an outside producer. Helmed by Matt Bayles (Pearl Jam, Mastodon, Isis), Warp Riders is anchored by an epic science-fiction narrative. The storyline is a psychedelic space opera that explores temporal themes of death and rebirth.

The album also finds The Sword expanding their range from pure metal to include bone-crunching hard rock at large. Rather than dampening their sound, the band actually sounds more amplified than ever, spewing out some of their most scalding riffs to date and channeling an unearthly bellow from their low end.

Opening track “Acheron/Unearthing The Orb” begins with ominous, fog-drenched atmosphere before a flurry of nimble fretwork and galloping drums storm out of the gate. The energy doesn’t let up once and by the final moments of closing track “(The Night Sky Cried) Tears of Fire,” an intensely satisfying resolution sets in. Guitarists Kyle Shutt and JD Cronise execute punishing acrobatics while injecting melody at every turn. Bryan Richie’s warm bass lays down the foundation and ripples with menace. Trivett Wingo’s drumming explodes with the perfect balance of both precision and dexterity. Each member of The Sword is an individual force to be reckoned with, but when united they come together like the four horsemen of the apocalypse to wreak havoc like no other.

www.swordofdoom.com