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Posts Tagged ‘Modest Mouse’
26 Jul
2012

By Matt Arena

After an incredibly successful first day, Firefly had even more in store for day 2. With doors opening at 11 am, there was much more music to be packed into the schedule and if you weren’t there first thing in the morning, you may have missed some of the best sets of the entire festival.

IMAGINE DRAGONS

It says a lot when a band can put on a killer set with one of the first performances of the day at an all day festival like Firefly. It certainly can’t be easy playing so early in the morning when most people aren’t there. But none of this seemed to faze Imagine Dragons. The Las Vegas four piece has generated a lot of buzz lately, appearing on many people’s radar after their wildly popular set at Coachella. And their Firefly set did more than impress. It blew people away, almost literally. Easily the loudest band out of all three days (probably due to the massive bass drum lead singer Dan Reynolds was beating upon), they definitely blasted the sleep from the festival goers eyes Saturday morning. ‘Radioactive’ is an absolute monster of a live track. Starting off with light acoustic strumming and harmonizing, one may think, “ugh, here’s another restrained indie song,” but then the bass drops and what comes feels like the love child of an AWOLNATION and fun. song. The aforementioned giant bass drum plays a large role here, as Reynolds smashes against it as hard as he can, providing a boom that should register on the Richter scale. Thought it may have only been noon, the crowd didn’t seem sluggish one bit. From the drop in ‘Radioactive,’ they were bouncing and singing as if they were watching a headliner. Bands tend to pull larger crowds at festivals, just naturally as there are more people than standard gigs, but with Imagine Dragons set it seemed as if every person watching did so deliberately. There weren’t any usual festival stragglers who came just because they heard loud music, everyone already knew the band. The word “catchy” is used a lot to describe music, and usually with the connotation this in some way makes the song or lyrics inferior, but Imagine Dragons are catchy in the superior sense. The music just grabs you in a way that’s impossible not to join in. The fast and upbeat drumming foundations on ‘Round and Round’ give it a never-ending, pounding feel and combines with the wonderfully constructed choruses to make one of the best live tracks I’ve heard in a while. Plus the sheer energy this band exuded from the stage made it near impossible for the audience not to return back in kind. Though starting even before noon, Imagine Dragons put on easily the best set of the day and possibly even the best out of the entire weekend.

GROUPLOVE

Up a bit later on in the day was Grouplove. A band that seems to just be getting bigger by the day (they just announced another, larger headlining tour after finishing their first one just a month ago), and they deserve every bit of it. To call Grouplove unique would be an understatement. From the music, to the band members themselves, there’s nothing ordinary about this band. There isn’t another band out there you can fairly compare their sound to and it’s taken to another degree in their live shows. Frequently extending intros and outros on a whim, Grouplove seem completely free on stage. Songs like ‘Slow,’ are slowed down and distorted to a massive wall of drum beating, echoing static, and the fading screams of lead singer Christian Zucconi (who seems to sport a different hair color every time I see them). They’re able to change their sound so quickly from song-to-song that if you close your eyes (and count to ten, ZING!) you’d think a different band had taken the stage. Lead vocal duties switch between Zucconi, Hannah Hooper (who doubles on keys), and bassist Sean Gadd. They have a very distinct vocal style, so when singing separately they give each song a different feel but still manage to blend together perfectly when harmonizing. This blender type vocal style is used on songs like ‘Chloe,’ which starts off with Gadd’s deep, almost country voice and joined by the higher sound from Hooper and the ever present ethereal wailing of Zucconi. Though the vocal styles may change, one thing always seems to be a constant with each Grouplove song; they’re all so fun. Granted that’s a pretty vague term to apply to a band’s sound, but upon seeing them perform it’s hard not to agree. The loose nature of the rapid acoustic riffs, the constant rhythmic drumming, jumpy bass lines, and warbly key structures all come together so well. Take a song like ‘Tongue Tied’ for example. There’s so much going on in that song, a blending of musical styles that shouldn’t work, but somehow they pull it off in spectacular fashion. Like all great bands, they take what makes them great and amplify it live. The passion and energy they play with on a consistent basis is astounding, almost as if they haven’t played these songs countless times. It’s what makes each Grouplove show different, and their set at Firefly was no exception.

YOUNG THE GIANT

This alt-rock five piece has had one hell of a year. After their now classic performance of ‘My Body’ on the VMA’s, Young the Giant have been on a rapid increase upwards. Having just wrapped up their sold out nation-wide tour, they hit up a couple major festivals too. First was Bonnaroo and now Firefly. To see this band on the power of the main stage was quite spectacular. Though their sound rangers from the alt-rock jumper of a track ‘My Body’ to more mellow tracks like ‘Guns Out,’ they always manage to engage the crowd. Having chatted with bassist Payam Dootstzadeh prior to their set, he said they’d be playing a number of tracks and to be on the lookout for one in specific called ‘Teachers.’ As the band is currently writing and recording the new album, they’ve been showcasing a number of new songs and ‘Teachers’ is definitely one to be anticipated. One of the more upbeat songs they have, it’s able to do so in a way that doesn’t feel like a My Body 2.0. The band is looking for a more evolved and experimental sound on the new record, the few new tracks they played evidence of that. It wasn’t one of those moments in the set were you dread the new material, but instead something to look forward to, as everyone in the crowd is dying to see what Young the Giant have in store next. Of course the material off their massively successful debut album went down fantastically as well. Utilizing his now trademark two microphone set-up, lead singer Sameer Gadhia is able to re-create the haunting vocal echoes on songs like ‘Guns Out’ all the while slapping a tambourine against his hip. The two latest singles, ‘Cough Syrup’ and ‘Apartment’ made early appearances in the set and were greeted with a blast of cheers as the audience loudly sang along. Though the true highlight of the set, and by far the entire weekend, was during the final song. If you know even a little about Young the Giant, you’ll know how close they are with bands like Grouplove, Cage the Elephant, and a number of other young alt rock bands. Coincidentally enough, two of them just so happened to be at Firefly as well. So to the initiated, it shouldn’t have come as much of a surprise when all the members of Grouplove and Walk the Moon mobbed the stage during the last chorus of ‘My Body.’ From the very beginning of the song the crowd was deafening in their singing of literally every single word. Check YouTube (video proof!), it’s even louder than Sameer’s voice. Add to that the power the chorus has to turn any standing structure into a trampoline, and the bouncing mass of fans was already insane before the impromptu jam session. So when suddenly two full bands just charge the stage and start jumping and singing along, it pushed the crowd into a further frenzy. Walk the Moon front man Nicholas Petricca shared a mic with Sameer as the stage was crawling with the rest of the members from each band. Sometimes singing, other times just jumping and spinning around like dancing fools, it was the “moment” of the festival and one of the coolest things this writer’s ever seen at a gig. It’s still unclear whether or not Young the Giant even knew about it beforehand, which would make it that much more a definitive festival moment.

CAKE

Being that the lineup was mostly filled with up-and-coming alt rock acts, Firefly did the smart thing and made sure to throw in some bands to change up the style. Cake was definitely one of those bands. John McCrea’s voice is instantly recognizable, as is the band’s sound in general. At first glance they might not seem like an interesting live act, McCrea’s voice, though unique, is rather monotone and deadpan. While that’s part of what make their music work, it’s not necessarily ideal for a live environment. Yet somehow they’re able to come alive. The surprisingly loud and much more pronounced riff from ‘The Distance’ nearly transforms the once mellow track into a live anthem. Suddenly they were a full on rock band, turning the once monotonous track into a booming song that sprang to life. The trumpet work of Vince DiFiore is key in keeping the songs similar, but seeing Xan McCurdy on guitar is what really makes this band take a step forward as a live act. While underplayed in studio versions, the riffs in songs like ‘Short Skirt/Long Jacket’ come to the forefront. Louder and fuller, they become the backbone of the song and are hard to deny a mild headbang to. Definitely a band that will catch you off guard with their surprising life and energy, Cake was playing to an already established group of fans but was definitely able to win pretty much everyone who saw them over. They’re not the type of band that will have the crowd jumping and going crazy, nor do they pretend to. But what they do so well is take their niche sound and expand upon it, possibly winning over those who at first pass on the droll nature of their studio sound.

MODEST MOUSE

Bands with one massive hit are always interesting to watch. Not only how they go about structuring their sets, but how the crowd reacts when the majority of them are just waiting for “that one song.” And Modest Mouse is a good band, but there’s no denying that they will draw that type of audience from ‘Float On.’ Being that the song hit back in 2005, it’s clear just from watching them play that they’re not only used to this but have learned how to use it to their advantage. They don’t pull the cliché move and use it as the encore, but throw it a little more than midway through the set, as if it were any other song. There’s not big show of “alright, now here’s the song you all came to hear,” it’s just simply there. And by putting it there in the set you give the less familiar audience members a chance to hear some other material without making them wait 15+ songs for it. It’s a delicate balance and Modest Mouse strikes it quite well. Of course it helps that their other material is great as well. Songs like ‘Dashboard’ and ‘The World at Large’ sounded full and cram packed with instrumental layers coming from the production of the festival’s main stage. It helped having what seemed like a legion of fans going 100% for every single song on the set, too.

THE KILLERS

Bookending day 2 of the festival with another Las Vegas band, this one considerably larger than the first, was the Killers. Having been on hiatus since 2010, the hype around the return of the Killers was massive. Though they tend to be a bit overrated and have a penchant for being extremely stubborn with photographers (making my job that much harder), it’s impossible to deny their ability to pull a crowd. Especially considering the current mainstream musical climate that seems to demand a non-stop presence or else a band risks losing their “status.” Not so with the Killers. After being gone for a full two years, they’re still able to draw just as well, if not better. The hiatus seemed to benefit the band if anything, instead of people forgetting about them, the demand for the band actually grew. Having headlined Madison Square Garden prior to the hiatus, it’s easy to see the band returning to a similar level of success. Especially after seeing their set at Firefly. Definitely the “biggest” headliner of the weekend, hence the Saturday slot, they definitely played like it. Bringing with them a strong amount of production for a festival and the massive hits that a band of their caliber has, it’s hard to deny that the Killers know how to put on a show. Opening with ‘Somebody Told Me,’ arguably their biggest hit, they made it clear that they weren’t pulling any punches and were there simply to blow people away. And if the sound of the screams from the crowd is any indication, they definitely succeeded. Ironically enough this billing was the main reason for going to Firefly, even though I’m not as enraptured with the band as everyone else is. They’re a massive band to have headlining, and one of the few that isn’t touring at the moment, and even I have to admit that hearing ‘When You Were Young’ is an experience in itself.

CAKE

MODEST MOUSE

IMAGINE DRAGONS

GROUPLOVE

YOUNG THE GIANT

27 Jun
2012

By Michel Dussack

This past weekend, Orion Music + More (Metallica’s curated music festival) took over Atlantic City’s Bader Field for two days of (mostly) heavy music, skateboarding, surfing, car shows, films, and even some horror (Kirk Hammett’s personal collection of horror memorabilia, that is). The festival seemed to be a great success, and during the two days there, I heard only positive things from the attendees. Even during the most brutal of pits that broke out, fans were eager to pick up anyone who tripped, and throughout the entire weekend there seemed to be a sense of comradery that overpowered everything else.


(credit: Matt Ellis)

Day one kicked off with a bang thanks to an aggressive set from Los Angeles based post-hardcore band letlive. (yes, the lowercase ‘L’ and period are included in the band’s name). While the entire band delivered a heavy set that sparked the slightest bit of moshing at 2:30 in the afternoon, it was vocalist Jason Butler that stole not only the show, but the allegiance of the crowd. Throughout their 45 minute set, he exhibited a confidence that is typically reserved for bands playing much later in the day. One such moment came in between songs, when it was possible to hear music coming from a nearby stage. Upon hearing the other band’s music, Butler screamed into the microphone “Yo shut the fuck up over there, don’t you see we’re trying to play a show?” His stage antics continued throughout their set and included climbing as high above the stage as he could and violently shaking the scaffolding that he was climbing on, running off the stage and trying to steal a golf cart (when he released that he couldn’t he resorted to throwing bags of trash out of the back of it) and smashing the clock that the festival crew used to keep time during the day. Indeed, letlive. set the bar high as the first band I caught of the festival.


(credit: Cambria Harkey)

The next band up was Lucero, who struck me as one of the more eclectic choices of the weekend. While the band does have roots in punk, they also have strong ties to the South and thus, country music. However, the crowd was indeed very receptive to the band, especially when they broke out a cover of Jawbreaker’s ‘Kiss the Bottle’ early on. As one would expect, when the band explained that the next song, ‘Women and Work’ was about whiskey, the crowd’s ears perked up and ate it up. Vocalist Ben Nichols has an extremely distinctive voice, and the rest of the band provided a fusion of heavy and country that is quite hard to put down in words. Overall, their set was great; however, I did miss the last couple songs of it to get a good spot for the next band taking the opposite stage.


(credit: Michel Dussack)

Toronto based punk band Fucked Up were next, and after vocalist Damian Abraham explained that it was a dream come true to play with Metallica, he jumped off the stage as the band opened with ‘The Other Shoe’ off their critically acclaimed album ‘David Comes to Life’. Damian made his way through the entire crowd during the show, not returning to the stage until after about 45 minutes of their hour long set. During this time, he allowed members of the crowd to sing parts for him, gave his microphone away while he jumped over a barricade to give high-fives to everyone in the handicap section back by the soundboard, and became the center of multiple mosh pits. In between nearly every song, he thanked the crowd multiple times with sincerity rarely seen in rock and roll. He seemed genuinely shocked that so many of the audience knew the words to the songs and, together with the rest of the band, delivered the best set of the day (besides Metallica of course).


(credit: Cambria Harkey)

As soon as Fucked Up’s set ended, the distinctive sound of Beastie Boy’s ‘Sabotage’ could be heard from the main stage, which meant one thing – The Gaslight Anthem would be taking the stage next. While the New Jersey based band delivered a fantastic set, it was also extremely hard to get into given the distance at which anyone without a Met Club wristband had to stand. Despite this, the band delivered a tight and impressive set which included hits such as ‘American Slang’, ‘The ’59 Sound’ and their newest single ‘45’. They were also the first band of the day that the majority of the crowd seemed to already be familiar with, in no small part due to the fact that they were essentially a local band. As soon as set closer ‘The ’59 Sound’ started, some of the crowd, myself included, began to slowly walk over to the secondary stage for Cage the Elephant’s set which was scheduled to start as soon as The Gaslight Anthem ended.


(credit: Michel Dussack)

Cage the Elephant delivered an hour long set that encompassed both of the bands studio albums, and lots of crowd surfing. Singer Matthew Schultz was unstoppable throughout their set, hardly pausing to take a breath after moving constantly during every song. The band seemed to be slowly winning over the crowd throughout the set, until the end, when nearly everyone in the crowd exploded in cheers during ‘Ain’t No Rest for the Wicked’. ‘Shake Me Down’ followed, and when it came time for the bridge, Matt let the crowd take over vocal duties for him as everyone sang “Even on a cloudy day” over and over despite there not being a single cloud in the sky. The band closed their set with the ferocious ‘Saber-Tooth Tiger’ as Matt climbed his way on top of the crowd, stood on outstretched hands, and threw himself back down onto the crowd. For the large portion of the crowd that only knew a handful of the bands tracks, this was certainly unexpected.


(credit: Cambria Harkey)

Modest Mouse was next up, and despite playing a set filled with great music, they were the most poorly received band of the day. The band’s general mellow vibe didn’t mesh well with the crowd who had been seeing much heavier sets the entire day. The only point in which the band seemed to silence the critics was during their hit ‘Float On’. For the few members of the crowd that were more familiar with the band’s music, ‘Dramamine’ and ‘Tiny Cities Made of Ashes’ served as set highlights. It’s a shame that such a great set was marred simply because the band skewed too far from the “typical” sound that people at the festival were used to.


(credit: Dave Mead)

Sheffield based indie rock band Arctic Monkeys followed, and the crowd reacted in a much more welcoming manner to them. Towards the front of the crowd, hundreds of fans who knew every song were clustered around the quartet. The band packed 16 songs into their hour set, including hits such as ‘Don’t Sit Down ‘Cause I’ve Moved Your Chair’ and ‘I Bet You Look Good on the Dancefloor’. Frontman Alex Turner was energetic and humorous throughout their entire set, particularly when he introduced drummer Matt Helders as the guy “on your girlfriend’s mind”. The band closed out their set with a powerful trio of songs – ‘Evil Twin’, ‘Brick by Brick’ and new single ‘R U Mine?’ and then it was time for the entire festival to head to the main stage for Metallica’s set.


(credit: Matt Ellis)

As soon as Ennio Morricone’s ‘The Ecstasy of Gold’ rang out over the PA system, fans knew that it was time for Metallica to take the stage. The band opened with ‘Hit the Lights’ before diving into one of their biggest songs – ‘Master of Puppets’. Everyone in the band sounded in top form throughout the night, and James Hetfield is second to none when it comes to fronting a band. Throughout the night he expressed waves of gratitude an appreciation to the crowd, and led numerous crowd chants and sing alongs. The band played five songs to start of the night before the real reason why everyone was gathered began.

The lights on the stage cut off abruptly and a video detailing the history of ‘Ride the Lightning’ began to play. When that video ended, the band ripped into a stunning version of ‘The Call of Ktulu’ and it became obvious that they would be playing ‘Ride the Lightning’ backwards, just as they had been doing for ‘The Black Album’ in Europe. When it came time for the band to play ‘Escape’, a track which had never been played live, there was a sense of tension on the stage. Hetfield remarked how the band had never played the song, something that the entire crowd seemed to already know, before beginning it. While instrumentally it sounded perfectly, Hetfield simply didn’t have the range to hit every note of the song perfectly. While it was amazing to hear live, especially considering it was the first time being performed ever, don’t expect for them to try it again.

The band continued through the album, before closing out that portion of their set with album opener ‘Fight Fire With Fire’. They didn’t stop there however, continuing on to play ‘Nothing Else Matters’ and close their main set with ‘Enter Sandman’ which featured countless fireworks shot off throughout the song. When it came time for the band to return for their encore, they did so with ‘Battery’ which caused the already large pits to double in size. ‘One’ followed and featured numerous explosions, pyro, and lasers. There were so many lasers in fact, that the band switched off the video screens during the performance, probably for fear of damaging their cameras. The band treated fans to one final song to end the night – ‘Seek and Destroy’ during which all the house lights were turned on and giant Metallica beach balls were dropped into the crowd. The audience took this song as their chance to dispel as much of their energy as possible, though some seemed reserved, knowing they would be doing this all again the next day.

24 Apr
2012

Modest Mouse hits the road this June for the Randalls Island, NYC Governors Ball Music Festival and the 2012 Orion Music + More festival in Atlantic City, NJ. The band also just announced today that they will also make stops in D.C., Pittsburgh and Columbus. Check out the confirmed dates below

Stay tuned to www.modestmouse.com for exact on sale information for tickets to these select shows.

Modest Mouse Tour Dates:
June 20 Washington, DC @ 930 Club
June 21 Washington, DC @ 930 Club
June 22 Pittsburgh, PA @ Stage AE
June 23 Atlantic City, NJ 2012 Orion Music + More @ Bader Airfield
June 24 Randall’s Island, NY @ The Governors Ball Music Festival @ Randall’s Island Park
June 26 Columbus, OH @ Lifestyle Communities Pavilion

07 Feb
2012


Metallica has just announced the first ever Orion Music + More festival set for June 23rd and 24th at Bader Field in Atlantic City, NJ. The festival is being co-presented with C3 Presents. The festival will feature music, art and more. Metallica will headline both nights of Orion Music + More and play “The Black Album” in its entirety one night Ride The Lightning in its entirety the other. This will be the only time the band will perform these albums in North America in 2012!

The lineup for Orion Music + More is incredibly diverse. Over 20 bands are scheduled to perform including: Arctic Monkeys, Avenged Sevenfold, Modest Mouse, The Gaslight Anthem, Cage The Elephant, Fucked Up, Best Coast, Hot Snakes, Titus Andronicus, Gary Clark Jr., Lucero, Roky Erickson, The Black Angels, The Sword, Liturgy, and more to be announced.

The Metallica Met Club fan club presale starts tomorrow – February 8th at 10am (Eastern) and runs through Friday, February 10th at 10pm (Eastern). Met Club members get first dibs on buying festival tickets.

These are the two ticket options:

– A Super Special Price at $125 including all fees for a 2-Day pass OR
The MET CLUB ULTRA 2-DAY PASS, which includes Front of Stage Viewing Area Access, Exclusive Ultra Lounge Access & More for $225 including all fees

www.metallica.com
www.orionmusicandmore.com

08 Jul
2011

Isaac Brock, Modest Mouse front man and songwriter, will compose the score for the upcoming feature film Queens of Country.

Ryan Page and Christopher Pomerenke, the writing and directing team behind the film, are best known for their music documentaries including Blood Into Wine, The Heart Is A Drum Machine and Moog. The pair have placed an equal amount of importance on the scores to their films with both The Flaming Lips’ Steven Drozd (The Heart Is A Drum Machine) and Maynard James Keenan’s Puscifer (Blood Into Wine) having contributed to their films.

Queens of Country stars Lizzy Caplan (Party Down, Mean Girls) and Ron Livingston (Band of Brothers, Office Space) with supporting actors Joe Lo Truglio (Superbad, Pineapple Express) and Maynard James Keenan (Tool, Puscifer, A Perfect Circle). The film centers on Caplan’s character Jolene and a lost iPod, which the obsessed country music fan is convinced belongs to her soul mate. Jolene quickly finds herself in a hilarious adventure of mistaken identities, line dancing competitions, time machines and doppelgangers.

Post-production recently wrapped on the film with an eye towards a 2012 release for both the film and score.

www.twinklecashcompany.com

07 Feb
2011

The 10th anniversary of Sasquatch! Music Festival will proudly feature:

Foo Fighters, Death Cab For Cutie, Modest Mouse , Wilco, The Flaming Lips (performing The Soft Bulletin & more), The Decemberists, Bright Eyes, Iron & Wine, Rodrigo Y Gabriela, Bassnectar, Robyn, Flogging Molly, Death From Above 1979, Pink Martini, Cold War Kids, Old 97’s, Ratatat, Wolf Parade, Chromeo, Guided By Voices, Yeasayer, Beach House, Sharon Jones & The Dap Kings, Local Natives, Matt & Kim, Deerhunter, Mstrkrft, Trailer Park Boys, Sleigh Bells, Major Lazer, Flying Lotus, Skrillex, Tokyo Police Club, Fitz & The Tantrums, !!!, Archers of Loaf, Against Me!, The Thermals, Best Coast, CSS, Surfer Blood, Jenny & Johnny, Macklemore & Ryan Lewis, The Head & The Heart, Bonobo (DJ Set), City and Colour, Reggie Watts, K-Os, Gayngs, Tim Minchin, The Drums, The Radio Dept, Young the Giant, The Antlers, Sharon Van Etten, Villagers, Stornoway, Aloe Blacc, Black Mountain, Moondoggies, Noah & The Whale, Sam Roberts Band, Secret Sisters, Twin Shadow, Das Racist, Wye Oak, Tig Notaro, Wheedle’s Groove, Smith Westerns, Rival Schools, Foster the People, Alberta Cross, S. Carey, White Denim, Washed Out, Gold Panda, Dan Mangan, Axis of Awesome, The Globes, Cotton Jones, Jaill, Mad Rad, Basia Bulat, Other Lives, The Bronx, White Arrows, Pepper Rabbit, Talkdemonic, Rebecca Gates and The Consortium, The Young Evils, and more!

Following last year’s fastest sellout ever, record attendance and rave reviews from national media, Sasquatch adds a fourth day and celebrates its 10th year of being what SPIN hails as “a pick-your-poison selection for your party at the edge of the earth,” May 27-30 (Memorial Day Weekend) at The Gorge in Quincy, WA.

Esurance, the direct-to-consumer personal car insurance company, will return in 2011 as the title sponsor for the Sasquatch! Music Festival. A green sponsor of the event since 2007, Esurance will continue its ongoing drive toward a planet-friendly festival. Following on the success of 2010′s carpooling initiatives, the eco-conscious insurance company will again provide this year’s concertgoers with multiple ridesharing opportunities through partner Zimride. Esurance also plans to implement new programs aimed at maximizing the concert experience for music lovers, while continuing to promote a more sustainable event.

After a successful 2010 partnership with Sasquatch, Honda returns for 2011 with the Honda Bigfoot Stage and Honda Zone. The Honda Zone will feature the all-new Civic along with the CR-Z sport hybrid coupe. The Honda Zone will be an attraction offering festival goers activities and prizes. Additionally, Sasquatch’s carbon offsets will be provided by Honda through Carbon Harmony.

http://www.sasquatchfestival.com

27 Jul
2010

Modest Mouse played a sold out show at the House of Blues in Boston on Sunday night. Our photographer Phil DeSimone was there and got some great shots of the band. Check out the photos and stay up to date on Modest Mouse at their Myspace www.myspace.com/modestmouse


21 Jul
2009
bumbershootlogo350

Today single day tickets and 3 day passes for this year’s Bumbershoot Festival go onsale on Ticketmaster.

You can get 3 Day passes here and single day tickets for Day 1 (9/5) here, Day 2 here, Day 3 here.

This year’s lineup includes headliners Modest Mouse, Metric, Jason Mraz and more. Go to bumbershoot.com and http://bumbershoot09.sched.org/ to create your own custom schedule!

17 Mar
2009
modestmouseterminal5350

Modest Mouse played a sold out show at Terminal 5 in NYC the other night. We have the setlist and some videos from the show. Thanks to Jon Uleis for the photo, youtube videos and setlist.
Setlist
3rd Planet
Education
Black Cadillacs
Here It Comes
King Rat
The View
Doin’ The Cockroach
Custom Concern
Jesus Christ Was An Only Child
Dance Hall
Baby Blue Sedan
Bury Me With It
Night On The Sun
Paper Thin Walls
Satellite Skin
Dramamine
Float On
Parting Of The Sensory

Encore:

Satin In A Coffin
Interstate 8
All Night Diner

3rd Planet

Education

Black Cadillacs

Here It Comes

King Rat

The View

Jesus Christ Was An Only Child

Dance Hall

Night On The Sun

Paper Thin Walls

Dramamine

Float On

Parting of the Sensory

Satin in a Coffin

Interstate-8

05 Feb
2009

Saturday 2/21/09 – Senator Theater, Chico BUY TIX

Sunday 2/22/09 – Fox Theater, Oakland BUY NOW

Saturday 2/28/09 – Balch Fieldhouse, Boulder BUY NOW

Monday 3/02/09 – Uptown Theater, Kansas City BUY NOW

Thursday 3/12/09 – Ram’s Head Live, Baltimore BUY TIX (onsale at 10AM)

Saturday 3/14/09 – The Electric Factory, Philadelphia BUY TIX (onsale at 10AM)

Sunday 3/15/09 – Terminal 5, New York BUY TIX (onsale at 12PM)